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The main dispute with respect to this verse relates to John 1:1c ("the Word was God"). One minority translation is "the Word was divine." This is based on the argument that the grammatical structure of the Greek does not identify the Word as the Person of God but indicates a qualitative sense.
rima llana (plane rhyme): the rhyming words are unaccented, for example cama (bed) and rama (branch), pereza (laziness) and moneda (coin) or espejo (mirror) and pienso (I think). rima grave (oxytonic rhyme): The rhyming words are accented on the last syllable, for example: cartón (cardboard) and limón (lemon), jerez (sherry) and revés ...
The origins of "Hark Hark" are uncertain. Various histories of nursery rhymes have offered competing theories on the matter, as have authors who write about other aspects of English history. One modern history, by Albert Jack, offers two theories of the rhyme's origin, each one dating it to a specific episode in English history.
It has a duration time of four minutes and thirty-one seconds. [5] The song features "cleverly-written" lyrics with a "manic delivery" over an "infectious" instrumental. For each of the three verses, the last word in each lyric rhymes with one another. [6] Furthermore, Rhymes references his then-two year old son T'ziah Wood-Smith.
Radif: The refrain word or phrase. Both lines of the matla ' and the second lines of all subsequent shers must end in the same refrain word called the radif. Qafiya: The rhyming pattern. The radif is immediately preceded by words or phrases with the same end rhyme pattern, called the qafiya. Maqta': The last couplet of the ghazal is called the ...
Homoousion (/ ˌ h ɒ m oʊ ˈ uː s i ɒ n, ˌ h oʊ m-/ HO(H)M-oh-OO-see-on; Ancient Greek: ὁμοούσιον, lit. 'same in being, same in essence', from ὁμός, homós, "same" and οὐσία, ousía, "being" or "essence") [1] [2] is a Christian theological term, most notably used in the Nicene Creed for describing Jesus (God the Son) as "same in being" or "same in essence" with God ...
Eusebeia (Greek: εὐσέβεια from εὐσεβής "pious" from εὖ eu meaning "well", and σέβας sebas meaning "reverence", itself formed from seb-meaning sacred awe and reverence especially in actions) is a Greek word abundantly used in Greek philosophy as well as in Greek translations of texts of Indian religions and the Greek New Testament, meaning to perform the actions ...
This section is followed by an interruption in the swain's monologue by the voice of Phoebus, "the sun-god, an image drawn out of the mythology of classical Roman poetry, [who] replies that fame is not mortal but eternal, witnessed by Jove (God) himself on judgment day." At the end of the poem, King/Lycidas appears as a resurrected figure ...