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Do the Right Thing is a 1989 American comedy-drama film produced, written and directed by Spike Lee.It stars Lee, Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Bill Nunn, John Turturro and Samuel L. Jackson and is the feature film debut of Martin Lawrence and Rosie Perez.
Hide in Plain Sight (1980) – drama film based on an actual case from the files of New York attorney Salvatore R. Martoche who represented Tom Leonard, a real-life Buffalo, New York, victim who had sued to recover contact with his children estranged by the culpability of the new husband and government, soon realizing his own past is coming ...
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Crime drama, prison film [38] Breathless: Jim McBride: Richard Gere, Valérie Kaprisky, Art Metrano: United States: Crime drama [39] Chained Heat: Paul Nicolas: Linda Blair, John Vernon, Sybil Danning: West Germany United States [40] Duvar: Yılmaz Güney: Tuncel Kurtiz, Ayse Emel Mesci, Malik Berrichi: France: Prison film, juvenile delinquency ...
High school car enthusiast Sean Boswell is sent to live in Tokyo with his father and finds solace in the city's drifting community. Dale: 2007 Documentary Stock car Another look at racing legend Dale Earnhardt. Ta Ra Rum Pum: 2007 Drama Stock car Indian film. Death Race: 2008 Sci-fi Jason Statham in a revised version of 1975 film. [4] Redline ...
The Last Chase is a 1981 Canadian-American dystopian science fiction film directed by Martyn Burke who was also the producer on the film, produced for Argosy Films. The film stars Lee Majors, Chris Makepeace and Burgess Meredith in a futuristic scenario about a former racing driver who reassembles his old Porsche car and drives to California in a world where cars and motor vehicles of all ...
Spike Lee's breakout movie Do the Right Thing (1989) opened up the field for a lot more searching examination of race in the present day. Films such as Justin Simien's 2014 comedy Dear White People, the Academy award-winning Moonlight (2016) and Jordan Peele's 2017 horror film Get Out show that film audiences continue to be gripped by racial ...
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.