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Narcissus in culture – uses of narcissus flowers by humans; Lime tree in culture – uses of the lime (linden) tree by humans; Rose symbolism – a more expansive list of symbolic meanings of the rose; Apple (symbolism) – a more expansive list of symbolic means for apples
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.
David P. Gontar in his book Hamlet Made Simple proposes that Hamlet's delay is best explained by conceiving of Prince Hamlet as the son of Claudius, not Hamlet the Dane. Noting that Hamlet is suicidal in the first soliloquy well before he meets the Ghost, Gontar reasons that his depression is a result of having been passed over for the Danish ...
Ophelia is a 1894 oil on canvas painting by the English painter John William Waterhouse, [1] depicting a character in William Shakespeare's drama Hamlet.She is a young noblewoman of Denmark, a potential wife for Prince Hamlet.
The sacred lotus flower is an aquatic perennial plant that typically blooms vibrant petals of pink and white shades. It is one of the most beautiful plants to look at, but the lotus flower thrives ...
Ophelia is an 1851–52 painting by British artist Sir John Everett Millais in the collection of Tate Britain, London.It depicts Ophelia, a character from William Shakespeare's play Hamlet, singing before she drowns in a river.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose: