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Iraiyanar Akapporul is concerned with setting out the literary conventions that govern Tamil love poetry of the akam tradition. The conventions, as such, are taken from the poetics of the Sangam period. Thus a poem is a poetical snapshot of one instant in a relationship. This snapshot provides a glimpse into the lives of the couple which is in ...
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Veṇpā is a closely related family of very strict [6] Tamil verse forms. They differ chiefly in the number of standard lines that occur before the final short line. In kuṟaḷ-veṇpā (or simply "kural") a single 4-foot ("standard") line is followed by a final 3-foot ("short") line, resulting in a 7-foot couplet. [7]
Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6] Traditionally, that this form of poetry is often read to an audience in a special setting called mehfil . Although there are many professional shayars , who write shayari [ 7 ] for their livelihood, it is an immensely popular form of poetry for younger generation.
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.
The others are guides to religious devotion (Murugan) and to major towns, sometimes mixed with akam- or puram-genre poetry. [ 1 ] [ 4 ] The Pattuppāṭṭu collection is a later dated collection, with its earliest layer composed sometime between 2nd and 3rd century CE, the middle between 2nd and 4th century, while the last layer sometime ...
Throughout his poem, Poongundranar lays down the principles of his version of natural law. The first part of the poem deals with the basic principles of the 'Way of Order'(Tamil: முறை வழி, muṟai vazhi) which is his term for natural law. Every human of every town is of the same value because they are கேளிர் (related).
Nedunalvadai contains 188 lines of poetry in the akaval metre. [4] It is a poem of complex and subtle artistic composition, its vividness and language has won it many superlatives, including one by the Tamil literature scholar Kamil Zvelebil, as "the best or one of the best of the lays of the [Sangam] bardic corpus". [4]