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Traditional black gospel [1] is music that is written to express either personal or a communal belief regarding African American Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of black gospel music.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Traditional gospel music is older forms of gospel music. Traditional black gospel, which originated among African-Americans in the early 20th century; Gospel blues, whose popularity peaked in the 1940s and 1950s; Southern gospel, also known as "white gospel" Bluegrass gospel, religious songs out of the bluegrass folk music traditions
Gospel music is what it is today thanks to the countless Black artists who hand-crafted the genre. Mahalia Jackson. Mahalia Jackson is one of the matriarchs of gospel music. Born in poverty in New ...
Traditional Black gospel music is the most well–known form, often seen in Black churches, non–Black Pentecostal and evangelical churches, and in entertainment spaces across the country and world. It originates from the Southeastern United States ("the South"), where most Black Americans lived prior to the Great Migration .
This list includes artists that perform in traditional gospel music genres such as Southern gospel, traditional black gospel, urban contemporary gospel, gospel blues, Christian country music, Celtic gospel and British black gospel as well as artists in the general market who have recorded music in these genres.
The Mississippi and Illinois-based traditional black gospel group, The Pilgrim Jubilees, were established in 1934 by Elgie Graham and Willie Johnson, as a duo at that time in Houston, Mississippi. They added three more members to the duo in 1946: Elgie's brother Theophilles Graham, Monroe Hatchett, and Leonard Brownlee.
Gates’ documentary “Gospel” fills a widening chasm between Black Americans and the Black church by capturing firsthand accounts of how the magical combination of message and music has ...
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