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Strangers in Death: Reginald Thomas Anders (pre-book) fractured skull: shoved in the shower and slammed head into Italian marble Ava Anders Ned Custer (pre-book) slit throat and castration: knife Thomas Aurelius Anders: strangulation: tranquilized then strangled by rope: Suzanne Custer Salvation in Death: Nick Soto (pre-book) multiple stab ...
[4] [10] Following research into biotechnology and cryonics, the conception that not having to die of old age might soon be a medical reality gained popularity—reflected in the non-fiction works The Prospect of Immortality by Robert Ettinger from 1964 and Conquest of Death by Alvin Silverstein from 1979—and since at least the 1980s, there ...
In Hebrews 2:14 the devil "holds the power of death." [38] Since therefore the children share in flesh and blood, he himself likewise partook of the same things, that through death he might destroy the one who has the power of death, that is, the devil, and deliver all those who through fear of death were subject to lifelong slavery.
Gardner Dozois — Book of Magic (editor), City Under the Stars (with Michael Swanwick) Alexandre Dumas — The Knight of Sainte-Hermine (with Claude Schopp) G.B. Edwards — The Book of Ebenezer Le Page; E. R. Eddison — The Mezentian Gate; Harlan Ellison — Blood’s a Rover; Ralph Ellison — Juneteenth, Three Days Before the Shooting...
The book's multiplying internal and external mazes provide an emblem of human complexity, foolishness, and deeper terrors, some reaching from beyond death. [ 14 ] Jonathan Strahan of Locus praises the novel's "seriousness", "clear-eyed humor" and its "amusing portrayal of what it's like to be in a big hospital", which is itself a "confusing ...
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Deborah Crombie (née Darden) is an American author of the Duncan Kincaid / Gemma James mystery series set in the United Kingdom. [1] Crombie was raised in Richardson, Texas, and has lived in the United Kingdom. [2]
Epiphany in literature refers generally to a visionary moment when a character has a sudden insight or realization that changes their understanding of themselves or their comprehension of the world. The term has a more specialized sense as a literary device distinct to modernist fiction. [1]