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Nonetheless, in practice the French women's movement developed in much the same way as the feminist movements elsewhere in Europe or in the United States: French women participated in consciousness-raising groups; demonstrated in the streets on the 8 March; fought hard for women's right to choose whether to have children; raised the issue of ...
The Second Sex (French: Le Deuxième Sexe) is a 1949 book by the French existentialist philosopher Simone de Beauvoir, in which the author discusses the treatment of women in the present society as well as throughout all of history.
Some (very rare) nouns change gender according to the way they are used: the words amour 'love' and délice 'pleasure' are masculine in singular and feminine in plural; the word orgue 'organ' is masculine, but when used emphatically in plural to refer to a church organ it becomes feminine (les grandes orgues); the plural noun gens 'people ...
Monsieur Vénus (French pronunciation: [məsjø venys]) is a novel written by the French Symbolist and Decadent writer Rachilde (née Marguerite Eymery). Initially published in 1884, it was her second novel and is considered her breakthrough work.
A great deal of writing has been done on the subject. The subject of the Ideal Woman has been treated humorously, [9] [10] theologically, [11] and musically. [12] Examples of "ideal women" are portrayed in literature, for example: Sophie, a character in Jean-Jacques Rousseau's Emile: or, On Education (book V) who is raised to be the perfect ...
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
On the other hand, the women in the tales who do speak up are framed as wicked. Cinderella's stepsisters' language is decidedly more declarative than hers, and the woman at the center of the tale "The Lazy Spinner" is a slothful character who, to the Grimms' apparent chagrin, is "always ready with her tongue."
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [54] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo. [54]