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The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [7] For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other. Loveliest of trees, the cherry now
The Queen in "Hamlet" by Edwin Austin Abbey "The lady doth protest too much, methinks" is a line from the play Hamlet by William Shakespeare.It is spoken by Queen Gertrude in response to the insincere overacting of a character in the play within a play created by Prince Hamlet to elicit evidence of his uncle's guilt in the murder of his father, the King of Denmark.
is a phrase within a monologue by Prince Hamlet in William Shakespeare's play Hamlet. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition. The speech is recited at the end of the film Withnail and I and the text was set to music by Galt MacDermot for the rock opera Hair
Helping define the objective correlative, Eliot's essay "Hamlet and His Problems", [1] republished in his book The Sacred Wood: Essays on Poetry and Criticism discusses his view of Shakespeare's incomplete development of Hamlet's emotions in the play Hamlet. Eliot uses Lady Macbeth's state of mind as an example of the successful objective ...
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Supreme Court Justice Antonin Scalia, dissenting from the Court's decision in King v.Burwell, upholding the Patient Protection and Affordable Care Act, repeatedly used the construction to criticize the Court's majority opinion, stating: "Understatement, thy name is an opinion on the Affordable Care Act!"; "Impossible possibility, thy name is an opinion on the Affordable Care Act!"; and ...
There seems to be a couple different types of irony in the sonnets in general that which is "openly voiced by the speaker and authorial irony suggested at the expense of the (deceived) speaker." [28] There seems to a sense of irony when the speaker tells the beloved to forget him. Schoenfeldt reasons that "we cannot quite take these lines ...
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.