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Gregorian melodies are more likely to traverse a seventh than a full octave, so that melodies rarely travel from D up to the D an octave higher, but often travel from D to the C a seventh higher, using such patterns as D-F-G-A-C. [45] > Gregorian melodies often explore chains of pitches, such as F-A-C, around which the other notes of the chant ...
Gregorian chant setting for Kyrie XI notated in neumes.. The Kyriale is a collection of Gregorian chant settings for the Ordinary of the Mass.It contains eighteen Masses (each consisting of the Kyrie, Gloria [excluded from Masses intended for weekdays/ferias and Sundays in Advent and Lent], Sanctus, and Agnus Dei), six Credos, and several ad libitum chants.
The "usual book" or "common book" also contains chants for specific rituals, such as nuptial Masses, Requiem Masses and the Office of the Dead, ordinations, and Benediction. This modal, monophonic Latin music has been sung in the Catholic Church since at least the sixth century to the present day.
Chant Noël: Chants For The Holiday Season was released 1 November 1994, [7] with Chant II released 17 October 1995 [8] and Chant III on 17 September 1996. [9] In 1998, Chant was reissued as a gold-audiophile CD by Mobile Fidelity Sound Lab. In 2004, it was re-issued along with its follow-up, Chant II as Chant: The Anniversary Edition by Angel ...
Gregorio is written especially for Gregorian chant in square notation and does not cover modern European musical notation. Similar to LilyPond it does not provide a graphical user interface. The notation is done via simple text input. It follows the gabc-syntax, which is defined by the Gregorio Project for this purpose.
Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western polyphony. Gregorian chant was traditionally sung by choirs of men and boys in churches, or by women and men of religious orders in their chapels. It is the music of the Roman Rite, performed in the Mass and the monastic Office ...
Gregorian chant is a variety of plainsong named after Pope Gregory I (6th century A.D.), but Gregory did not invent the chant. The tradition linking Gregory I to the development of the chant seems to rest on a possibly mistaken identification of a certain "Gregorius", probably Pope Gregory II , with his more famous predecessor.
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.