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  2. MP3 - Wikipedia

    en.wikipedia.org/wiki/MP3

    The Moving Picture Experts Group (MPEG) designed MP3 as part of its MPEG-1, and later MPEG-2, standards.MPEG-1 Audio (MPEG-1 Part 3), which included MPEG-1 Audio Layer I, II, and III, was approved as a committee draft for an ISO/IEC standard in 1991, [14] [15] finalized in 1992, [16] and published in 1993 as ISO/IEC 11172-3:1993. [7]

  3. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...

  4. MPEG-1 Audio Layer II - Wikipedia

    en.wikipedia.org/wiki/MPEG-1_Audio_Layer_II

    The use of an additional entropy coding tool, and higher frequency accuracy (due to the larger number of frequency sub-bands used by MP3) explains why MP3 does not need as high a bit rate as MP2 to get an acceptable audio quality. Conversely, MP2 shows a better behavior than MP3 in the time domain, due to its lower frequency resolution.

  5. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    For nth-order noise shaping, the dynamic range of an oversampled signal is improved by an additional 6n dB relative to oversampling without noise shaping. [35] For example, for a 20 kHz analog audio sampled at 4× oversampling with second-order noise shaping, the dynamic range is increased by 30 dB.

  6. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The frequency response for a conventional LP player might be 20 Hz to 20 kHz, ±3 dB. The low-frequency response of vinyl records is restricted by rumble noise (described above), as well as the physical and electrical characteristics of the entire pickup arm and transducer assembly. The high-frequency response of vinyl depends on the cartridge.

  7. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range. Well-designed solid-state amplifiers and CD players may have a frequency response that varies by only 0.2 dB between 20 Hz to 20 kHz. [4] Loudspeakers tend to have considerably less flat frequency responses than ...

  8. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    The signal is converted from time-domain to frequency-domain using forward modified discrete cosine transform (MDCT). This is done by using filter banks that take an appropriate number of time samples and convert them to frequency samples. The frequency domain signal is quantized based on a psychoacoustic model and encoded.

  9. High-resolution audio - Wikipedia

    en.wikipedia.org/wiki/High-resolution_audio

    Approximate dynamic range and bandwidths of some high-resolution audio formats. High-resolution audio is generally used to refer to music files that have a higher sampling frequency and/or bit depth than that of Compact Disc Digital Audio (CD-DA), which operates at 44.1 kHz/16-bit. [2]