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The main commissions for gold work and jewelry came from the Court or the Church. [18] As such, much of the jewelry was very religious, involving ornate crosses and depictions of the afterlife or of saints' lives. [19] The Byzantines excelled in inlaying and their work was enormously opulent, involving precious stones, glass and gold. [20]
A sizeable example of a discovery of Pictish jewellery was found at the Gaulcross hoard in Aberdeenshire, with examples of fragments of silver bracelets, brooches, and pendants from the post-Roman period. These finds contain examples of chain work, and ornate decoration on the fragments. They are now on display at the National Museum in ...
This art form was often passed down through the family. Children of bead makers often learned how to work beads from a young age. Each stone had its own characteristics related to Hinduism. [citation needed] Jewellery in the Indus Valley Civilization was worn predominantly by females, who wore numerous clay or shell bracelets on their wrists ...
At the beginning of the 20th century embroidery workshops were created on the territory of Galicia and Bukovyna, where, along with weaving and embroidery, jewelry from beads was made. Contemporary beadwork includes: beaded clothing, collars, bracelets, necklaces, clothing accessories like handbags and purses. [16] [17] [18] [19]
Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
Gold lunula from Blessington, Ireland, Late Neolithic/Early Bronze Age, c. 2400BC – 2000BC, Classical group A gold lunula ( pl. gold lunulae ) was a distinctive type of late Neolithic , Chalcolithic , and—most often—early Bronze Age necklace, collar, or pectoral shaped like a crescent moon.
Granulated Etruscan earring, 4th century B.C. Granulation is a jewellery manufacturing technique whereby a surface is covered in spherules or granules of precious metal. The technique is thought to have its origins in Sumer about 5,000 years ago.
By the 1960s costume jewellery was widely worn, which resulted in seasonal, ever-changing styles of necklaces and other jewellery. [4] Fine jewellery that was common in this period included wholly geometric or organically shaped silver necklaces, and precious gems set in platinum or gold necklaces inspired by the time of the French Empire . [ 4 ]