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Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
The expression "Rococo" is used for much European art throughout the 18th century, including works by the Italians Giovanni Battista Tiepolo, Canaletto and Francesco Guardi and the English Thomas Gainsborough, Joshua Reynolds and the furnituremaker Thomas Chippendale.
Blind Man's Bluff (French: Le collin maillard) is a painting by the French Rococo painter Jean-Honoré Fragonard, produced around 1750 in oil on canvas.It is held by the Toledo Museum of Art in Toledo, Ohio, United States, which purchased it with funds from the Libbey Endowment, a gift of the glass manufacturer Edward Libbey who founded the museum in 1901.
Jean-Honoré Fragonard (French: [ʒɑ̃ ɔnɔʁe fʁaɡɔnaʁ]; 5 April 1732 [1] [2] – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism.
Pages in category "Rococo paintings" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. A. Annunciation (Pittoni) B.
Mezzetino (transl. Mezzetin; French: Mézetin) is an oil-on-canvas painting in the Metropolitan Museum of Art, New York, by the French Rococo painter Jean-Antoine Watteau. Dated within 1717–1720, Mezzetino forms a full-length single-figure composition, depicting the eponymous character in commedia dell'arte .
Unlike the rococo style, the ornament was usually restrained, symmetrical and balanced. In the early period of the style, the designs were often inspired by French versions of Chinese art, animals, especially monkeys ( Singerie ) and arabesques, or themes taken from works of the artists of the period, including Jean Bérain the Younger ...
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