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Studio Ghibli, Inc. (Japanese: 株式会社スタジオジブリ, Hepburn: Kabushiki-gaisha Sutajio Jiburi) [3] is a Japanese animation studio based in Koganei, Tokyo. [4] It has a strong presence in the animation industry and has expanded its portfolio to include various media formats, such as short subjects, television commercials, and two television films.
The first Studio Ghibli film to use computer graphics: Pom Poko The first Miyazaki feature to use computer graphics, and the first Studio Ghibli film to use digital coloring ; the first animated feature in Japan's history to gross more than 10 billion yen at the box office and the first animated film ever to win a National Academy Award for ...
To mark the release of this long-awaited new Studio Ghibli movie (which may be Miyazaki's last), here’s an updated ranking of Miyazaki’s best Studio Ghibli films, plus how to watch them.
[87] [88] Along with the rest of the Studio Ghibli films, Spirited Away was released on digital markets in the United States for the first time, on 17 December 2019. In the United Kingdom, the film was released on DVD and VHS as a rental release through independent distributor High Fliers Films PLC following the film's limited theatrical release.
Susuwatari (Japanese: ススワタリ, 煤渡り; "wandering soot"), also called Makkuro kurosuke (まっくろくろすけ; "makkuro" meaning "pitch black", "kuro" meaning "black" and "-suke" being a common ending for male names), is the name of a fictitious sprite that was devised by Hayao Miyazaki and Studio Ghibli, known from the famous anime-productions My Neighbor Totoro (1988) and ...
Only Yesterday (Japanese: おもひでぽろぽろ, Hepburn: Omohide Poro Poro [n 1], lit. ' Memories Come Tumbling Down ' [4]) is a 1991 Japanese animated drama film written and directed by Isao Takahata, based on the 1982 manga Omoide Poro Poro by Hotaru Okamoto and Yuko Tone.
They feel like pale imitations from a director who knows what Ghibli films do, but not why… And even the highly striking animation aesthetic for which Ghibli is renowned feels largely absent, due to the muted, flat palette of the film's CGI… Ultimately, Earwig and the Witch is a far cry from Studio Ghibli at its finest." [45]