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Red banner embroidered with an icon of a saint (Church of St. Gabriel, Nazareth).. Khorugv (Russian: хоругвь, Bulgarian: хоругва, Church Slavonic: хорѫгꙑ, Ukrainian: хоругва, Polish: chorągiew, Romanian: prapur, Finnish: kirkkolippu, sometimes translated as gonfalon) [1] is a religious banner used liturgically in the Eastern Orthodox and Eastern Catholic Churches.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
An earlier variant of the flag, used in the 1980s, combined the double-headed eagle design with the blue-and-white stripes of the flag of Greece. [ 2 ] The design is sometimes dubbed the "Byzantine imperial flag", and is considered—somewhat correctly—to have been the actual historical banner of the Byzantine Empire .
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour. Historically, real gold leaf has normally been used, giving a luxurious appearance.
Where gold is used as a background in miniatures, mosaics and panel paintings, the halo is often formed by inscribing lines in the gold leaf, and may be decorated in patterns within the outer radius, and thus becomes much less prominent. The gold leaf inside the halo may also be burnished in a circular manner, so as to produce the effect of ...
These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally ...
The magi Caspar is shown dressed in a dark tunic contrasted against the a pattern of gold pomegranates that symbolize rebirth in a Christian context and were associated with the Orient. [3] The outfits of the other magi including Melchior and Balthazar , also include gold, silver, and detailed floral designs. [ 3 ]
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