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Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Javanese and other cultures in overlap with the neighbouring Indonesian archipelago, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau ...
Malaysian popular music, sometimes called Malaysian pop (Malay: Pop Malaysia) or abbreviated as M-pop, refers to popular music forms in the Southeast Asian nation of Malaysia. Although pop music in various languages, such as Mandopop , is popular and has been produced in Malaysia, Malaysian pop refers to music recorded primarily in the Malay ...
"Malaysia Satu" - by Faizal Tahir (Winner of "Our 1 Malaysia Song" competition) "Saya Anak Malaysia" "Fikirkan Boleh" - by Metropolitan "Malaysia Forever" - by Bobby Gimby "Luhur" by Kamikaze "Bersatu" by Raihan "Kita Punya Malaysia" ("This is Our Malaysia") by Bunkface "Malaysia Bersih" ("A Clean Malaysia") by Syamel and Ernie Zakri "Titiwangsa"
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In the Malaysian video game No Straight Roads (released in 2020), one of the bosses is named "DK West", a pun on the name of Dikir Barat, and the music played during the fight is described as a rap battle between the main characters and DK West which plays with a crowd of faceless individuals sitting near DK West and clapping in rhythm.
Traditional Malaysian instruments are the musical instruments used in the traditional and classical music of Malaysia. They comprise a wide range of wind, string, and percussion instruments, used by both the Malay majority as well as the nation's ethnic minorities.
Mak Inang (Jawi: مق عناڠ) is a traditional Malay dance that originated from the time of Malacca Sultanate.The dance is accompanied by a unique music which is believed to have been composed by the order of Sultan Mahmud Shah of Malacca.
The gambus (lutes) of the Malay world: its origins and significance in zapin Music, Larry Hilarian, Nanyang Technological University, Singapore, 6 July 2004; Charles Capwell, Contemporary Manifestations of Yemeni-Derived Song and Dance in Indonesia, Yearbook for Traditional Music, Vol. 27, (1995), pp. 76–89