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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
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Google Dictionary is an online dictionary service of Google that can be accessed with the "define" operator and other similar phrases [note 1] in Google Search. [2] It is also available in Google Translate and as a Google Chrome extension. The dictionary content is licensed from Oxford University Press's Oxford Languages. [3]
"Por Favor" is a latin pop song [4] that has elements of hip hop, reggaeton and urban contemporary. It runs for three minutes and nineteen seconds. [5] [6] [7] Lyrically, it discusses self empowerment and your love for someone. It has had a Spanish version and a Spanglish version that have the same lyrical meaning but in different languages. [8]
Devotional music genres such as Bhajan are part of a tradition that emerged from these roots. [ 16 ] However, bhajans rose to prominence as a way of expressing fervent devotion to the divine, breaking down barriers of caste and society, during the Bhakti and Sant movements of medieval India (about the 6th to the 17th centuries).
The capacity for offering protection or guardianship was a basic function of deity, expressed by formulations such as Tutela Iovis, "the tutelage of Jove". [5] Major deities such as Jupiter, Minerva, and Mars were conceived of as tutelaries. [6] The phrase in tutela expressed the sphere of influence exercised by a deity.
Sthāyi refers to an octave of music. There are 5 sthāyis in Carnaatic music, namely, Anumandara (lowest), Mandara (literally means chant, which means lower), Madhya (literally means middle), Taara (means higher) and Athitaara (meaning very high). Most artists sing over two octaves or two and a half octaves range (within Mandra, Madhya and ...
A second, contrasting melody, usually with higher notes, is introduced once before returning to the main melody. [citation needed] The tarana may include a Persian quatrain, and may use syllables from sitar or tabla such as "dar-dar" or "dir-dir"; singers might recite full compositions (e.g. tihais, gats, tukdas) [further explanation needed] within the body of the tarana.