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"Progress of the American Woman" from the North American Review, Elizabeth Cady Stanton (1900) [78] "Votes for Women", Mark Twain (1901) [79] Woman, Kate Austin (1901) [80] "Declaration of Principles", by the National American Woman Suffrage Association (1904) [81] The House of Mirth, Edith Wharton (1905) Herland, Charlotte Perkins Gilman (1909 ...
"Progress of the American Woman" from the North American Review, Elizabeth Cady Stanton (1900) [133] A Bundle of Fallacies, Dora Montefiore (1901) [134] Die Frauenfrage ihre geschichtliche Entwicklung und wirtschaftliche Seite, Lily Braun (1901) [135] "Votes for Women", Mark Twain (1901) [136] Woman, Kate Austin (1901) [137]
Western women writers have long been a marginalized group. 1979 was the first year an anthology on western American women writers was published. [11] The Western Literature Association was founded in the 1960's to foster the work of contemporary women writers. [ 11 ]
Bessie Coleman was the first African-American woman and first Black person in general to receive a pilot's license. Because of gender and racial discrimination, she learned French and went to ...
Margaret Marty Mann (October 15, 1904 – July 22, 1980) was an American writer who is considered by some to be the first woman to achieve longterm sobriety in Alcoholics Anonymous. [ 1 ] There were several remarkable women in the early days of AA including but not limited to: Florence R. of New York, Sylvia K. of Chicago, Ethel M. of Akron, Ohio.
Mothers of the Novel is divided into three parts. Part I treats a series of seventeenth-century women writers, only some of whom would have been familiar to most readers in 1986: Aphra Behn (1640–1689), Margaret Cavendish (1623–1673), Anne Clifford (1590–1676), Anne Fanshawe (1625–1680), Eliza Haywood (1693–1756), [1] Lucy Hutchinson (1618–1681), Delarivière Manley (1663 –1724 ...
Pages in category "American women writers" The following 200 pages are in this category, out of approximately 1,146 total. This list may not reflect recent changes .
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."