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Thomas Tallis, 18th-century engraving; a posthumous, invented portrait [1] by Gerard Vandergucht This is a list of compositions by the English composer Thomas Tallis (c. 1505–1585). Masses
Thomas Tallis (c. 1505 – 23 November 1585; [n 1] also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music .
Fantasia on a Theme by Thomas Tallis, also known as the Tallis Fantasia, is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral ...
Matins responsory from the Sarum Rite. Language. Latin. Composed. c. 1556/1570. Scoring. 40 voices a cappella. Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music.
SATB choir. " If ye love me " is a four-part motet or anthem by the English composer Thomas Tallis, a setting of a passage from the Gospel of John. First published in 1565 during the reign of Elizabeth I, it is an example of Tudor music and is part of the repertoire of Anglican church music. An early English-language motet, it is frequently ...
Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)".
T. Tunes for Archbishop Parker's Psalter. Categories: Compositions by composer. Renaissance compositions. Thomas Tallis. Works by British classical composers.
Ye Sacred Muses. Ye Sacred Muses is William Byrd 's Musical elegy on the death of his colleague and mentor, Thomas Tallis, in the form of a secular madrigal. It is scored for 5 voices (usually four viols and countertenor), though the vocal part is scored for treble voice, or a cappella SATTB choir. The words are:-. Tallis is dead, and Music dies.