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Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
1876 at Mycenae, Greece by Heinrich Schliemann. Present location. National Archaeological Museum, Athens. The Mask of Agamemnon is a gold funerary mask discovered at the Bronze Age site of Mycenae in southern Greece. The mask, displayed in the National Archaeological Museum of Athens, has been described by the historian Cathy Gere as the " Mona ...
Comedy and tragedy masks. The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece, the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
Costume. Some authors have argued that use of costume in Athenian tragedy was standardized for the genre. [1] This is said to have consisted of a full-length or short tunic, a cloak and soft leather boots, and may have been derived from the robes of Dionysian priests or invented by Aeschylus. Brockett, however, disputes this, arguing that the ...
The theme of death within ancient Greek art has continued from the Early Bronze Age all the way through to the Hellenistic period. The Greeks used architecture, pottery, and funerary objects as different mediums through which to portray death. These depictions include mythical deaths, deaths of historical figures, and commemorations of those ...
A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from the corpse. Death masks may be mementos of the dead or be used for creation of portraits. The main purpose of the death mask from the Middle Ages until the 19th century was to serve as a model for ...
Theatre of ancient Greece. Bronze statue of a Greek actor, 150–100 BC. The half-mask over the eyes and nose identifies the figure as an actor. He wears a man's conical cap but female garments, following the Greek custom of men playing the roles of women. Later, slave women were brought in to play minor female characters and in comedy as well.
Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, the god of wine and theatre, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics.
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