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Tuesday Afternoon. " Tuesday Afternoon " (sometimes referred to as " Forever Afternoon (Tuesday?) ", or simply " Forever Afternoon ") is a 1968 song written by Justin Hayward that was first released by English rock band the Moody Blues on their 1967 album Days of Future Passed and later released as a single.
Music video. "Tuesday Afternoon" on YouTube. " Tuesday Afternoon " is a 1998 song recorded by Swedish singer Jennifer Brown, released in 1998 as the lead single from her third studio album, Vera (1999). She co-wrote it with American songwriters and producers Andy Marvel and Billy Mann. Lyrically, it tells the story of a young girl named Josie ...
On-line Guitar Archive. The On-line Guitar Archive (OLGA) was the first Internet library of guitar and bass tablature, or "tabs". Born from a collection of guitarist internet-forum archives, it was a useful resource for musicians of all genres for over a decade.
Ride My See-Saw. " Ride My See-Saw " is a 1968 single by the English progressive rock band the Moody Blues. It was written by the band's bassist John Lodge, and was first released on the Moody Blues' 1968 album In Search of the Lost Chord. It was the second of two singles from that album, the other being "Voices in the Sky".
On the Threshold of a Dream. (1969) Singles from In Search of the Lost Chord. "Voices in the Sky". Released: 28 June 1968. "Ride My See-Saw". Released: 12 October 1968. In Search of the Lost Chord is the third album by the Moody Blues, released in July 1968 on the Deram label.
Nights in White Satin. " Nights in White Satin " is a song by English rock band the Moody Blues, written by Justin Hayward. It was first featured as the segment "The Night" on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968.
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica.
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...
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