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The chapter continues a discourse commenced at Matthew 24:3 where the disciples come to Jesus to speak "privately". [6] The Parable of the Ten Virgins (verses 1-13) and the Parable of the Talents (verses 14-30) are both unique to Matthew, [7] but the Parable of the Talents has a corollary in Luke 19:11-27.
The setting of the parable of the talents in Matthew 25 is the Mt. Olivet discourse. In Matthew 24–25, the overall theme is end-time events, warning, and parables. "The direct cautions and warnings (Matthew 24:42, Matthew 24:44; Matthew 25:13) must be for the disciples (his audience)—warnings to be watchful and to be ready for Christ's coming".
According to Matthew 25:1–13, ten virgins await a bridegroom; five have brought enough oil for their lamps for the wait, while the oil of the other five runs out. The five virgins who are prepared for the bridegroom's arrival are rewarded, while the five who went to buy further oil miss the bridegroom's arrival and are disowned.
Biblegateway.com (opens at Matt.1:1, NIV) A textual commentary on the Gospel of Matthew – detailed text-critical discussion of the 300 most important variants of the Greek text (PDF, 438 pages) Early Christian Writings Gospel of Matthew: introductions and e-texts. Bible: Matthew public domain audiobook at LibriVox Various versions
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
διεγερθεὶς (was awakened) – C 3 D L W 087 ƒ 13 33 𝔐/Byz. Matthew 1:25. ουκ εγινωσκεν αυτην εως ου (was not knowing her until which [time]) – omitted by it k syr s. Matthew 1:25 υιον (a son) – א B Z vid 071 vid ƒ 1 ƒ 13 pt 33 1192 it b,c,g 1,k syr c,pal mss mae-1 geo Ambrose Chromatius αυτω ...
[1] [2] Blomberg showed how the five-discourse structure can be used to relate the top-level structure of Matthew with Mark, Luke and John. [2] In his mapping Chapter 13 of Matthew is its centre, as is Mark 8:30 and the beginning of Chapter 12 of John. He then separates Luke into three parts by 9:51 and 18:14. [2]
Early 6th century Byzantine mosaic art, depicting Christ separating the sheep from the goats. The blue angel is possibly the earliest artistic depiction of Satan.. The Sheep and the Goats or "the Judgement of the Nations" is a pronouncement of Jesus recorded in chapter 25 of the Gospel of Matthew, although unlike most parables it does not purport to relate a story of events happening to other ...