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More recently, John Stubley has made use of the term as part of the Centre for Social Poetry. [6] Stubley expands the idea to include what Owen Barfield describes as poetic “effect” [7] – which distinguishes between the poetic form of words on a piece of paper, and the poetic effect of a “felt change of consciousness”. [8]
Though the term 'concrete poetry' is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the Greek Anthology now survive.
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
In many languages, including Arabic and modern European languages, poets use rhyme in set patterns as a structural element for specific poetic forms, such as ballads, sonnets and rhyming couplets. However, the use of structural rhyme is not universal even within the European tradition.
Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects intos ...
Cognitive poetics, therefore aimed to describe how poetic language and form is naturally constrained and shaped by various human cognitive processes. It allows for the science of cognition and the literary understanding regarding literary texts to both have significance when conducting any literary analytical process. Moreover, cognitive ...
An altar poem is a pattern poem in which the lines are arranged to look like the form of an altar. The text and shape relate to each other, the latter usually giving added meaning to the poem itself. The text and shape relate to each other, the latter usually giving added meaning to the poem itself.
The effect of the poem's language derives in part from Byron's choice of an appropriate pattern of rhyme (or rhyme scheme): these adjacent, rhyming lines are called couplets. The sound, the physical nature, of the language is also emphasized by alliteration , as in the repetition of s sounds in the third line: "And the sheen of their spears was ...