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"Mutability" is a poem by Percy Bysshe Shelley which appeared in the 1816 collection Alastor, or The Spirit of Solitude: And Other Poems. Half of the poem is quoted in his wife Mary Shelley 's novel Frankenstein; or, The Modern Prometheus (1818) although his authorship is not acknowledged, while the 1816 poem by Leigh Hunt is acknowledged with ...
Stories range from the maudlin (such as "The Wife" and "The Widow and Her Son") to the picaresque ("Little Britain") and the comical ("The Mutability of Literature"), but the common thread running through The Sketch Book – and a key part of its attraction to readers – is the personality of Irving's pseudonymous narrator, Geoffrey Crayon.
Le Livre de la mutation de fortune is a 1403 poem by Christine de Pizan. [1] [2] It is a universal history that tells the story of how Fortune has affected events. [3]The frame narrative describes the process of the narrator's "transformation into a man" following the death of their husband, a metaphor used by the author expressing her adoption of the traditionally male social role of a court ...
Percy Bysshe Shelley's 1816 poem "Mutability" in a draft of Frankenstein with his changes to the text in his handwriting. Bodleian. Oxford. Since the initial publication of Mary Wollstonecraft Shelley's novel Frankenstein; or, The Modern Prometheus in 1818, there has existed uncertainty about the extent to which Mary Shelley's husband, Percy Bysshe Shelley, contributed to the text.
Shapcott teaches on the MA in creative writing at Royal Holloway, University of London.She was a visiting professor at the School of English Literature, Language and Linguistics, Newcastle University, [3] was a visiting professor at the London Institute and was Royal Literary Fund Fellow at Oxford Brookes University from 2003 to 2005.
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The work was first published in London in 1816 (see 1816 in poetry) under the title Alastor; or, The Spirit of Solitude: And Other Poems, printed for Baldwin, Cradock and Joy, Pater-Noster Row; and Carpenter and Son, Old Bond-Street: by S. Hamilton, Weybridge, Surrey, consisting of the title poem and the following additional poems:
[citation needed] The law and literature movement focuses on connections between law and literature. This field has roots in two developments in the intellectual history of law—first, the growing doubt about whether law in isolation is a source of value and meaning, or whether it must be plugged into a large cultural or philosophical or social-science context to give it value and meaning ...