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A Pakistani rug (Urdu: پاکستانی قالین, romanized: Pakistani Qaleen), also known as Pakistani carpet (Urdu: پاکستانی فرش, romanized: Pakistani Farsh), is a type of handmade floor-covering heavy textile traditionally made in Pakistan and is used for a wide variety of utilitarian and symbolic purposes.
The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art.
Rasa theory blossoms beginning with the Sanskrit text Nātyashāstra (nātya meaning "drama" and shāstra meaning "science of"), a work attributed to Bharata Muni where the Gods declare that drama is the 'Fifth Veda' because it is suitable for the degenerate age as the best form of religious instruction. The Nātyashāstra presents the ...
Traditional designs were outlined with paint and filled with bright and beautiful colours. After they dried they were varnished with shellac. A traditional swing called Pingho or Hindoro, traditional wooden beds Khats , sofas, chairs, vases, utensils and lamps are some of the famous items made in Jandri art.
In Indian aesthetics, a rasa (Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. [2]
Today, Pakistani fashion is a combination of traditional and modern dress and has become a mark of Pakistani culture. Despite modern trends, regional and traditional forms of dress have developed their own significance as a symbol of native tradition. This regional fashion continues to evolve into both more modern and purer forms.
Charminar. The culture of Hyderabad, also known as Hyderabadi Tehzeeb (حیدرآبادي تہذیب ) or Dakhini Tehzeeb (دکني تہذیب ), [1] is the traditional cultural lifestyle of the Hyderabadi Muslims, and characterizes distinct linguistic and cultural traditions of North and South India, which meet and mingle in the city and erstwhile kingdom. [2]
The traditional instrument of the Islamic calligrapher is the qalam, a pen normally made of dried reed or bamboo. The ink is often in colour and chosen so that its intensity can vary greatly, creating dynamism and movement in the letter forms. Some styles are often written using a metallic-tip pen.