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Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio. The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world.
The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have ...
Jerome mentions that Juvencus composed another, shorter, Christian poem on "the order of the mysteries" (Sacramentorum ordinem). This work is lost. This work is lost. Modern writers have incorrectly attributed to him the Heptateuchus , a work of Cyprianus Gallus , and the De Laudibus Domini , a work of Juvencus's time, but to be credited to ...
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...
In 1833, her father died. She undertook in 1834 the editorial supervision of The Christian Remembrancer Pocket Book, an Annual, and in 1836 of the Invalid's Hymn Book – works previously conducted by a friend, Harriet Kiernan, who was then in the last stages of consumption. The annual she edited for 25 years and many of her poems appeared in it.
Dryden converted to Catholicism more or less simultaneously with the accession of the Roman Catholic king James II in 1685, to the disgust of many Protestant writers. [2] The Hind and the Panther is considered the major poetic result of Dryden's conversion, and presents some evidence for thinking that Dryden became a Catholic from genuine conviction rather than political time-serving, in so ...
[2] [7] According to author Carebanu Cooper though, Vivekananda addressed the Fourth of July in this poem, but the poem presented "a blending of the concrete and the abstract responses to a national event and to eternal concepts." [5] In this poem, Vivekananda beholds the dark clouds are melting away, and a new day has come – a day of liberty.
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