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Kufic is defined as a highly angular form of the Arabic alphabet originally used in early copies of the Quran. Sheila S. Blair suggests that "the name Kufic was introduced to Western scholarship by Jacob George Christian Adler (1756–1834)". [5] Furthermore, the Kufic script plays an important role in the development of Islamic calligraphy.
Contemporary calligraphy using this style is also popular in modern decorations. Decorative Kufic inscriptions are often imitated into pseudo-kufics in Middle age and Renaissance Europe. Pseudo-kufics is especially common in Renaissance depictions of people from the Holy Land. The exact reason for the incorporation of pseudo-Kufic is unclear.
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt (Arabic: خَطّ), derived from the words 'line', 'design', or 'construction'. [1] [2] Kufic is the oldest form of the Arabic script.
Thuluth (Arabic: ثُلُث, Ṯuluṯ or Arabic: خَطُّ الثُّلُثِ, Ḵaṭṭ-uṯ-Ṯuluṯ; Persian: ثلث, Sols; Turkish: Sülüs, from thuluth "one-third") is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines.
Kufic is commonly believed to predate naskh, but historians have traced the two scripts as coexisting long before their codification by ibn Muqla, [5] as the two served different purposes. [6] Kufi was used primarily in decoration, while Naskh served for everyday scribal use., [ 7 ] It is believed that Ibn Muqla developed the Naskh script, but ...
The Kufic script of the Almoravid dinar was imitated in a maravedí issued by Alfonso VIII of Castile. [ 13 ] [ 14 ] The minbar of the al-Qarawiyyin Mosque , created in 1144, was the "last major testament of Almoravid patronage," and features what is now called Maghrebi thuluth , an interpretation of Eastern thuluth and diwani traditions.
Based on his command of traditional Arabic calligraphy, Al-Shaarani has been using historical calligraphic styles, such as Kairouan Kufic, Square Kufic, Thuluth or Maghrebi script, and at the same time, developed and modernized the shapes of drawing Arabic letters and typeface design according to his personal, modern style.
Pseudo-Kufic, or Kufesque, also sometimes pseudo-Arabic, [1] is a style of decoration used during the Middle Ages and the Renaissance, [2] consisting of imitations of the Arabic script, especially Kufic, made in a non-Arabic context: "Imitations of Arabic in European art are often described as pseudo-Kufic, borrowing the term for an Arabic script that emphasizes straight and angular strokes ...
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