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In 1866 Brahms made an arrangement for piano solo of the six-movement version of the Requiem, which he revealed to Clara Schumann at Christmas of that year. [ 9 ] Brahms prepared an alternative version of the full seven-movement work to be performed with piano duet accompaniment, making it an acceptable substitute accompaniment for choir and ...
The second movement closes by way of a 54-measure orchestral section with a C pedal tone and the chorus intermittently repeating the last line of Hölderlin's poem. The addition of E ♮ s starting in measure 364 predicts the coming modulation to C major for the final movement. The third movement, marked Adagio, is in C major and returns to ...
Choral Society of the Friends of Music, Vienna, Vienna Philharmonic: Elisabeth Schwarzkopf Hans Hotter: EMI: 1948 Wilhelm Furtwängler: Lucerne Festival Choir, Lucerne Festival Orchestra: Elisabeth Schwarzkopf Hans Hotter: Istituto Discografico Italiano IDIS6674 1947 live performance 1948 Robert Shaw: RCA Victor Chorale and Orchestra Eleanor ...
Vier ernste Gesänge (Four Serious Songs), Op. 121, is a cycle of four songs for bass and piano by Johannes Brahms. As in his Ein deutsches Requiem, the texts are compiled from the Luther Bible. Three songs deal with death and the transience of life, while the fourth has an outlook of faith, hope and charity.
The second section is an aria in all but name. The third section, in a nominal C major, brings in the male chorus, which joins the soloist in a plea to a celestial spirit for an abatement of the wanderer's pain. The third part of the Rhapsody has similarities of vocal and choral style to A German Requiem, which was written the previous year.
The second movement is a tempestuous scherzo (ternary form) in compound duple meter in C minor, the same key as the first movement. Donald Francis Tovey argues that Brahms puts the scherzo in the same key as the first movement because the first movement does not sufficiently stabilize its own tonic and requires the second movement to "[furnish] the tonal balance unprovided for by the end of ...
A German Requiem may refer to: A German Requiem, a large-scale work for chorus, orchestra, and soloists, composed by Johannes Brahms and completed in 1869; A ...
The first movement begins with a statement (F-A ♭-F) which is broadly assumed to represent Brahms' personal motto, frei aber froh (free but happy). Brahms had first developed this motto many years earlier after befriending Hungarian violinist Joseph Joachim, who himself had already adopted a personal motto F-A-E, frei aber einsam (free but lonely).
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