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This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
4 is pronounced as "three-four" or "three-quarter time". Compound time signatures In a compound meter, there is an additional rhythmic grouping within each measure. This example shows 6 8 time, indicating 6 beats per measure, with an eighth note representing one beat. The rhythm within each measure is divided into two groups of three eighth ...
For example, compound duple (two beats, each divided into three) is written as a time signature with a numerator of six, for example, 6 8. Contrast this with the time signature 3 4, which also assigns six eighth notes to each measure, but by convention connotes a simple triple time: 3 quarter-note beats. Examples of compound metre include 6
Originally, Disclosure thought that "Latch" was "too weird for the radio and not clubby enough for the clubs" because of its time signature. The band stated: "It's in 6/8 time — not even 4/4, the more commonly used time signature for house music."
8) time at a tempo of 184 beats per minute. [4] For the purpose of making the odd time signature more digestible for the listener, the song utilizes rhythmic displacement in the drums by implying a duple rhythmic organization. [ 5 ]
8) or duple-pulse (4 4, 2 4 or 2 2) structure. [b] The contemporary Cuban practice is to write the duple-pulse clave in a single measure of 4 4. [17] It is also written in a single measure in ethnomusicological writings about African music. [18] Although they subdivide the beats differently, the 12 8 and 4 4 versions of each clave share the ...
It is one of the band's best-known songs, and it is notable for being written in the unusual 5 4 time signature. The use of quintuple meter is quickly noted from the beginning rhythmic bass pattern, though it can also be explained as a distinct 6 8 + 2 4 syncopated rhythm. [citation needed]