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Yin and yang (English: / j ɪ n /, / j æ ŋ /), also yinyang [1] [2] or yin-yang, [3] [2] is a concept that originated in Chinese philosophy, describing an opposite but interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system in which ...
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
Chinese Taoist Priest's Robe, 19th century. Aside from Taoist symbols like the dragon, it also adopts the eight auspicious symbols from Buddhism. The taijitu, commonly known as the "yin and yang symbol" or simply the "yin-yang", and the bagua are important symbols in Taoism because they represent key elements of Taoist cosmology (see above).
The bagua (Chinese: 八卦; pinyin: bāguà; lit. 'eight trigrams') is a set of symbols from China intended to illustrate the nature of reality as being composed of mutually opposing forces reinforcing one another. Bagua is a group of trigrams—composed of three lines, each either "broken" or "unbroken", which represent yin and yang ...
Peach blossoms are symbols of spring season and happiness. [17] Peony flowers. Peony flowers are symbols of prosperity, [22] wealth, and honour; [5] they also a symbol of spring and feminine beauty. [4] Peonies are often used on Chinese women's clothing. [4] Plum blossoms. Plum blossoms are symbol of winter season as it blooms in the cold. [17]
The symbol is a visual depiction of the intertwined duality of all things in nature, a common theme in w:Taoism. It is believed to be derived from the 14 th century Tiandi Zhiran Hetu (Heaven and Earth’s Natural Diagram of the River), Hetu (Diagram of River), Luoshu (Chart of Luo), Xiantian tu (Diagram of Preceding Heaven) and Taijitu ...
It is a symbol that reflects the inescapably intertwined duality of all things in nature, a common theme in Taoism. No quality is independent of its opposite, nor so pure that it does not contain its opposite in a diminished form: these concepts are depicted by the vague division between black and white, the flowing boundary between the two ...