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Human muses are woven throughout history. In modern times, specific people are called muses; as a rule, these are close friends and sometimes lovers or spouses, who inspire or affect the works of an artist due to their disposition, charisma, wisdom, sophistication, eroticism, intimate friendship, or other traits.
A pastiche combining elements of paintings by Pollaiuolo and Botticelli (Portrait of a Woman and Portrait of a Young Woman [it; fr; es] respectively), using Photoshop. A pastiche (/ p æ ˈ s t iː ʃ, p ɑː-/) [1] [2] is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. [3]
An artist's statement (or artist statement) is an artist's written description of their work. The brief text is for, and in support of, their own work to give the viewer understanding. As such it aims to inform, connect with an art context, and present the basis for the work; it is, therefore, didactic, descriptive, or reflective in nature.
She is best known for her so-called 'doodle-bombs' where she illustrates over magazine covers, [3] as well as her playful and brightly coloured iconography. [4] Stewart's art has been featured in numerous advertising campaigns, [ 5 ] [ 6 ] painted as large-scale murals [ 7 ] [ 8 ] and used as print designs on clothing [ 9 ] and footwear.
Still others have used the term to distance their work from the negative connotations the terms "comic" or "comic book" have for the public, or to give their work an elevated air. Other than in presentation and intent, they hardly differ from comic books. [51] Some prefer not use the term "graphic novel" at all.
This word (mostly used in art namely photography, cinema or painting) describes the light that illumines an object from the other side of your own point of view. contretemps an awkward clash; a delay. coquette a flirtatious girl; a tease. cordon bleu (lit. "blue ribbon"). A "cordon bleu" may refer to several things, both in French and in English :
The term objet d'art is reserved to describe works of art that are not paintings, prints, drawings or large or medium-sized sculptures, or architecture (e.g. household goods, figurines, etc., some purely aesthetic, some also practical). The term oeuvre is used to describe the complete body of work completed by an artist throughout a career. [2]
The term outsider art was coined in 1972 as the title of a book by art critic Roger Cardinal. [1] It is an English equivalent for art brut (French: [aʁ bʁyt], "raw art" or "rough art"), a label created in the 1940s by French artist Jean Dubuffet to describe art created outside the boundaries of official