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The location of NGC 3576 (circled in red) NGC 3576 is a bright emission nebula in the Sagittarius arm of the galaxy a few thousand light-years away from the Eta Carinae nebula. It is also approximately 100 light years across and 9000 light-years away from Earth. [3] It was discovered by John Frederick William Herschel on 16 March 1834. [4]
After the war with Bandora ended, the heads of the five ancient tribes placed two Dinosaur Eggs (恐竜の卵, Kyōryū no Tamago) within a chest and sent it off to sea, hoping for a safer place and time for dinosaurs. The chest drifted over to Dalos Island, where the Apelo Tribe resided.
The statue attempts authoritatively to depict the state of St. Cecilia's incorruptible body, yet its use of the delicate Baroque style emphasizes the tragedy of her martyrdom. Funerary statues created for saints and popes in the Renaissance and later Baroque periods were designed to represent their figures in repose, as if sleeping.
The sceptre also assumed a central role in the Mesopotamian world, and was in most cases part of the royal insignia of sovereigns and gods. This continued throughout Mesopotamian history, as illustrated in literary and administrative texts and iconography. The Mesopotamian sceptre was mostly called ĝidru in Sumerian and ḫaṭṭum in ...
This list of tallest statues includes completed statues that are at least 50 m (160 ft) tall. The height values in this list are measured to the highest part of the human (or animal) figure, but exclude the height of any pedestal (plinth), or other base platform as well as any mast, spire, or other structure that extends higher than the tallest figure in the monument.
Shards of wood, twigs, a few seeds of fruits, pitted olives and cherries, and the nest of a small rodent were found inside Apoxyomenos. Radiocarbon dating of organic material found inside the statue indicated that Apoxyomenos did not fall into the sea immediately after it was made, but, according to the results, sometime between 20 BC and 110 ...
Sandro Botticelli, Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
It was said that Hebe, in a statue made of ivory and gold, was depicted standing beside a very large statue of Hera, which depicted the goddess seated holding a pomegranate and sceptre with a cuckoo perched on top. [39] A relief made of silver above an altar depicted the marriage of Hebe and Heracles. [39]