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Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number. Apart from indicating his first published keyboard composition as Opus 1, Bach did not use opus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA ...
The Calov Bible is in three volumes, each signed on its main title page by J. S. Bach, who followed his signature with the date, 1733. [1] The volumes contain 348 underlinings, marks of emphasis, and marginalia in Bach's hand, an attribution that has been proven by handwriting analysis and chemical analysis of the ink. [2]
Bach composed the cantata in Weimar, but the composition history is complicated and not at all stages certain. [1] [2] Findings by Martin Petzoldt suggest that the cantata began with the later movements 2–6 and 9–10, most of them on biblical text, performed at a memorial service of Aemilia Maria Haress, the wife of a former prime-minister of Schwarzburg-Rudolstadt, at the church St. Peter ...
Bach wrote the cantata for the 24th Sunday after Trinity in his first year as Thomaskantor and music director of Leipzig's main churches. [2] During Bach's tenure, the same two readings were prescribed for that Sunday every year: the epistle reading, Colossians 1:9–14, was a prayer from the Epistle to the Colossians for the congregation there, and the Gospel reading was the raising of Jairus ...
The sinfonia beginning Part II, rare in Bach's cantatas, is especially remarkable because it is a chorale fantasia on the same chorale melody. [9] The trumpet (which was silent throughout Part I) plays the tune as cantus firmus against a polyphonic string setting, emphasizing once more "Was Gott tut, das ist wohlgetan" (What God does is well done).
BWV Anh. 166 – Missa super cantilena "Allein Gott in der Höh sei Ehr": Kyrie–Gloria Mass in E minor composed in 1716 by Johann Ludwig Bach, [16] previously attributed to Johann Nicolaus Bach, [17] with part scores written out by J. S. Bach and others for performance in 1729, and a small addition (5 bars) by J. S. Bach at the beginning of ...
Bach structured the cantata in six movements.A choral movement is followed by an aria, a chorale, recitative and duet, closed by another chorale.He scored the work for three vocal soloists (soprano, alto, bass), a four-part choir and a Baroque instrumental ensemble of two horns (Co), timpani (Ti), two flauto traverso (Ft), two oboes (Ob), two violins (Vl), viola (Va), and basso continuo.
Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) [1] is the title of two church cantatas by Johann Sebastian Bach.He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.
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