Search results
Results from the WOW.Com Content Network
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
An example of his work is a salver featuring signs of the Zodiac, a border cast chased with rococo scrolls, rococo decoration of the surface, and feet in rococo-cartouche form. One of the most monumental works created in rococo expression was Storr’s large candelabrum, created during the reign of William IV .
Inside which further examples of Spanish Rococo such as the royal throne, twelve monumental mirrors, and many examples of rococo furniture. Other examples include the Royal Palace of Aranjuez, the Basílica pontificia de San Miguel, the Palace of the Marqués de Dos Aguas, Salamanca Cathedral, and the west façade of the Murcia Cathedral.
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
This sebil is considered one of the finest examples of Baroque sebils. [48] [74] Its surface shows a greater degree of three-dimensional sculpting, being profusely carved with scrolls, shells, foliage, and other Baroque moldings. The decoration also demonstrates a greater Rococo tendency, such as asymmetries in the details of the motifs. [85]
Six decades later, the architect Jaime Bort y Meliá was the first to introduce Rococo to Spain (Cathedral of Murcia, west façade, 1733). The greatest practitioner of the Spanish Rococo style was a native master, Ventura Rodríguez, responsible for the dazzling interior of the Basilica of Our Lady of the Pillar in Zaragoza (1750).