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Wayan Diananto of Liputan 6 said that Losmen Bu Broto was like a "home-cooked meal that warms the soul". [10] Bavner Donaldo from Cinejour gave a rating of 3.8 out of 5 and said "Losmen in the film is a box of memories, which becomes a silent witness, which hypnotizes me as if I don't care about how the plot will continue". [11]
L.A. Takedown, also called L.A. Crimewave and Made in L.A., [1] is a 1989 American crime action film written and directed by Michael Mann.Originally filmed as a pilot for an NBC television series, the project was reworked and aired as a stand-alone TV film after the series was not picked up.
While patrons of Jewel's Catch One as undergraduate students at the University of Southern California in the mid 1980s, filmmaker, Cristina Kotz Cornejo and her life partner, African-American playwright and artist, Angela Counts befriended Jewel and were so taken by the club and her life story they asked permission to shoot what would be their first film about Jewel.
Vivi Fierce of Thick Strip, a plus-size revue, performs at one of the group's semiregular shows at the Ace Hotel in downtown Los Angeles. (Mel Melcon / Los Angeles Times) It was an hour into class ...
Mark had come to the Tiki Theater: the last porn theater in Los Angeles. It is a place that has outlasted more vaunted film houses such as the ArcLight Hollywood and its historic Cinerama Dome ...
The film had its world premiere at the 2015 Sundance Film Festival on January 23, 2015, with distribution rights bought by The Orchard. [5] The film screened at SXSW, on March 14, 2015, [6] the Tribeca Film Festival, on April 21, 2015, [7] as well as at the Florida Film Festival, [8] The Independent Boston Film Festival, the Seattle International Film Festival, the deadCENTER Film Festival ...
The film was a touchstone for Ebert, as his perspective on the movie and his life evolved over time, summarized in his 1997 Great Movie review: Movies do not change, but their viewers do. When I saw "La Dolce Vita" in 1960, I was an adolescent for whom "the sweet life" represented everything I dreamed of: sin, exotic European glamour, the weary ...
[18] Joan Jett felt that the film captured 1970s Los Angeles, "that music, that sort of combination of glam and intensity" well, but said "initially it was mischaracterized, because at first it was called a 'biopic', which implies that it's going to be a literal reading of the action. But to me, it's more of a parallel narrative of The Runaways.