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In contrast, the wedding dress of Catherine Middleton, for her marriage to Prince William, Diana's elder son, incorporated motifs cut from machine-made lace appliquéd to silk net. [11] The dress featured "lace flounces adorning neckline and sleeves". [8] A replica of the dress at West Edmonton Mall, in Edmonton, Canada, in 2013. Fittings of ...
The dress was an embroidered "Tudor-style" wedding dress with a high collar and "mediaeval" trumpet sleeves, [1] [5] with white silk chiffon under sleeves edged with pearls and other jewels. [6] Her veil was made of silk net embroidered with floral sprays, and her "something borrowed" was the Queen Mary Fringe tiara.
The lace was not specially commissioned for the dress, but chosen from stock patterns (what was formerly known only as Sophie Hallette's "950264" is now known as "Kate's lace", however, this lace was only used for the bodice of the dress, the skirt and train are made of the Solstiss lace. Grace Kelly's wedding dress was also made from lace by ...
The final design of the dress was kept secret, although much speculation surrounded it. It was said the princess feared that if details were published fashion house copies would make it impossible for her to make last-minute design alterations. [11] The dress was taken to the palace a day before the wedding in a 4-foot (1.2 m) box.
In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1] In the mid-19th century, the term engageante was used for separate false sleeves, usually with fullness gathered tight at the wrist, worn under the open bell-shaped "pagoda" sleeves of day ...
The slippers she wore matched the white of the dress. The train of the dress, carried by her bridesmaids, measured 18 feet (5.5 m) in length. Queen Victoria described her choice of dress in her journal thus: "I wore a white satin dress, with a deep flounce of Honiton lace, an imitation of an old design.
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