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The social and religious more and norms effecting the perception of women's behavior in the early modern era depended on the woman's social class, not only in terms of the expectations society had of them, but because their autonomy and ability to make choices, the legal protections and dignity privilege afforded, and access to education was ...
In Education of the Heart: Women's Best Work (1869), Sarah Ellis accepted the importance of intellectual education for women alongside training in domestic duties but stressed that since women were the earliest educators of the men who predominantly ran and decided upon education in Victorian society, women primarily needed a system of ...
Women artists became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". [26] In the late 19th century, Charles Dana Gibson depicted the "New Woman" in his piece, The Reason Dinner was Late, which shows a woman painting a policeman. [27] [28]
The Early Feminists: Radical Unitarians and the Emergence of the Women’s Rights Movement, 1831–51 (Palgrave Macmillan UK, 1995). Gorham, Deborah. The Victorian girl and the feminine ideal (Routledge, 2012). Hawkins, Sue. Nursing and women's labour in the nineteenth century: the quest for independence (Routledge, 2010). Kent, Christopher.
The archetype of the ideal woman as mother, wife and homemaker was a powerful idea in 19th century society. At the time of writing, Mill recognized that he was going against the common views of society and was aware that he would be forced to back up his claims persistently.
Woman in the Nineteenth Century, 1845. Woman in the Nineteenth Century is a book by American journalist, editor, and women's rights advocate Margaret Fuller. Originally published in July 1843 in The Dial magazine as "The Great Lawsuit. Man versus Men. Woman versus Women", it was later expanded and republished in book form in 1845.
Maria Stewart was the first American woman to speak to a mixed audience of men, women, both Black and white (termed a "promiscuous" audience during the early 19th century). [4] She was also the first African American woman to lecture on women's rights , focusing particularly on the rights of Black women, religion, and social justice.
The title offers a view of woman in society, which applied at least during the mid-19th century, commenting on concepts of the importance of beauty of women and their role in society. It was during this time that she painted what she considered her masterpiece, Truth Unveiling Falsehood.