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Palace of Versailles (1661–1710). The Louis XIV style or Louis Quatorze (/ ˌ l uː i k æ ˈ t ɔːr z,-k ə ˈ-/ LOO-ee ka-TORZ, - kə-, French: [lwi katɔʁz] ⓘ), also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign.
17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.
William-Adolphe Bouguereau (French pronunciation: [wiljam adɔlf buɡ(ə)ʁo]; 30 November 1825 – 19 August 1905) was a French academic painter.In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. [1]
Standing four feet high [6] in portrait orientation, neither appeared in the Vuillard catalogue raisonné when the paintings were acquired as a pair by art dealer Robert Warren. In 2005 he sold The Oysters on eBay for £3,000. [7] In 2007, The Café was sold on for £11,000 by "a Suffolk family" at TW Gaze in Diss, Norfolk. [8]
Copy of the Moscow painting considered to be by Poussin himself: Madrid, Prado: 45a/200 Bacchic scene or Nymph and satyr drinking: 1626–1628: 77 x 62 cm: Copy of the Prado painting considered to be by Poussin himself: Moscow, Pushkin Museum: 45b/200 Midas washing himself in the source of the river Pactolus: 1626–1628 c. 97,5 x 72,5 cm
The Manna (French: La Manne), formerly titled The Israelites Gathering Manna in the Desert (Les Israélites recueillant la manne dans le désert), is an oil painting by Poussin, dated to 1638 or 1639, which is now in the Louvre, in Paris. [1] The work is regarded as one of Poussin's most ambitious. [2]
Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
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