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The song opens with a prominent, high-pitched guitar riff played by John Fogerty. The lyrics have Fogerty telling of a gathering "up around the bend" on the highway and inviting the listener to join in. Cash Box described the song as a "powerfully sung and played bit of rock with excellent top forty drive."
In 2006, the Archive removed all 34,000 tablatures on the site. [5] A note posted on the site indicated that those running the site had received "a 'take down' letter from lawyers representing the National Music Publishers Association and the Music Publishers Association", according to the linked letter on the front page. [6]
All tracks written by Béla Fleck; except where indicated. "Whitewater" "Slipstream" "Up And Around the Bend" "Natchez Trace" "See Rock City" "The Legend"
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
Two Steps from the Move was Hanoi Rocks' biggest hit when it was released, reaching number 28 on the UK Album Charts and the singles "Up Around The Bend" and "Don't You Ever Leave Me" also rose up the singles charts. The album also gave Hanoi Rocks their first gold record in Finland, but not until 1986 after the group had already disbanded.
Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites. Tab may be given as the only notation (as with chord tab in songbooks that only include lyrics and chords), or, as with guitar solo transcriptions, tab and standard notation may be ...
Creedence Clearwater Revival was the first act to sign a contract for August's Woodstock festival in April 1969, for $10,000 (equivalent to $83,000 today). Given their late start time and omission from the Woodstock film (at John Fogerty's insistence), Creedence members have expressed bitterness over their experiences regarding the festival.
Band biographer Craig Hansen Werner calls it "a country-tinged variation on the straight ahead rock and roll of 'Fortunate Son.'" [8] Fogerty biographer Thomas Kitts describes the song as having an "echoey vocal, straightforward backbeat, simple bass line and acoustic guitar" which come together to give it the sound of pre-World War II country ...