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The ǃKung people of Southern Africa recognize a Supreme Being, ǃXu, who is the Creator and Upholder of life. [4] Like other African High Gods, he also punishes man by means of the weather, and the Otjimpolo-ǃKung know him as Erob, who "knows everything". [5]
The San have no collective word for themselves in their own languages. "San" comes from a derogatory Khoekhoe word used to refer to foragers without cattle or other wealth, from a root saa "picking up from the ground" + plural -n in the Haiǁom dialect. [8] [9] "Bushmen" is the older cover term, but "San" was widely adopted in the West by the ...
Tricksters & Trancers: Bushman Religion and Society. Indiana: Indiana University Press. Hastings, James (2003). Encyclopedia of Religion and Ethics Part 2. Kessinger Publishing. ISBN 0-7661-3670-1. Heinz, H-J. 1975. Elements of ǃKo Bushmen religious beliefs. Anthropos 70:17–41. Hewitt, R.L. (1986). Narratives of the Southern San. Quellen zur ...
John Kennedy Marshall [1] (November 12, 1932 – April 22, 2005) was an American anthropologist and acclaimed documentary filmmaker best known for his work in Namibia recording the lives of the Juǀʼhoansi (also called the !Kung Bushmen).
The Philippines has 110 enthnolinguistic groups comprising the Philippines' indigenous peoples; as of 2010, these groups numbered at around 14–17 million persons. [2] Austronesians make up the overwhelming majority, while full or partial Negritos scattered throughout the archipelago. The highland Austronesians and Negrito have co-existed with ...
Detail of a San rock painting in the Drakensberg. The San, or Bushmen, are indigenous people in Southern Africa particularly in what is now South Africa and Botswana. Their ancient rock paintings and carvings (collectively called rock art) are found in caves and on rock shelters. The artwork depicts non-human beings, hunters, and half-human ...
The Hunters is a 1957 ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian - Harvard Peabody sponsored expedition in 1952–53. [ 2 ]
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