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Típica 73 was an American charanga and salsa band in the 1970s and early 1980s, that was formed by musicians from Ray Barretto's band. [1] " Típica" refers to the typical configuration of a Cuban chararanga while "73" refers to the year that group was founded.
Hot Rhumba (Spanish: Rumba caliente) is a 1952 Mexican musical comedy film directed by Gilberto Martínez Solares and starring Adalberto Martínez, Lilia Prado and Óscar Pulido. [1] [2] It was shot at the Churubusco Studios in Mexico City. The film's sets were designed by the art director José Rodríguez Granada.
It was during this time that the group branched out and performed folkloric music and dance besides rumba, such as Lucumí, Palo, abakuá and conga. The music of Los Muñequitos directly reflects the syncretism that exists in Cuba as sacred songs to the orishas often coexist with more secular themes and adaptations of Spanish songs in a single ...
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas , during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka , as well as the Spanish-based coros de clave .
Volume II kicks off with "Descarga caliente", a 17-minute montuno jam, [nb 1] while side B features a rumba, a chachachá and a Santería ritual performance. Volume III (1958, red cover) was directed by tresero Niño Rivera and it comprises three montuno tracks combined with swing, guajira and chachachá, plus a guaguancó-comparsa. [5]
Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]
All forms of rumba are accompanied by song or chants. [126] [127] Rumba (de solar o de cajón) is today a fossil genre usually seen in Cuba in performances of professional groups. There are also amateur groups based on Casas de Cultura (Culture Centers), and on work groups. Like all aspects of life in Cuba, dance and music are organised by the ...
The Son cubano itself was born from a synthesis of different popular styles such as the Rumba Urbana and Rumba Rural, and performed until the 1930s by amateur musicians. [7] Another Cuban folk music style emerged between the end of the 19th century and the beginning of the 20th in the poor neighborhoods of Havana.