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In music theory, an interval is a difference in pitch between two sounds. [1] An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord.
Some music teachers teach their students relative pitch by having them associate each possible interval with the first interval of a popular song. [1] Such songs are known as "reference songs". [ 2 ] However, others have shown that such familiar-melody associations are quite limited in scope, applicable only to the specific scale-degrees found ...
The millennial whoop is a vocal melodic pattern alternating between the fifth note — the dominant —and the third note — the mediant — in a major scale, typically starting on the fifth, in the rhythm of straight 8th-notes, and often using the "wa" and "oh" syllables. [1] It was used extensively in 2010s pop music. [2] [3]
Since the Baroque era, Western European composers have used the diminished seventh as a melodic interval to convey intense, sometimes troubled emotion. Richard Taruskin (2010, p. 258) draws attention to the falling melodic figures in the bass (pedal) part of J. S. Bach's organ chorale prelude from the Orgelbüchlein, "Durch Adam's Fall":
List of musical intervals may refer to: Interval (music)#Main intervals as abstract relations between notes in western music theory.
Below is a list of intervals expressible in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals. For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory , without consideration of the way in which ...
The major seventh interval is considered one of the most dissonant intervals after its inversion the minor second. For this reason, its melodic use is infrequent in classical music. However, in the genial Gavotte from J.S. Bach’s Partita in E major for solo violin, a major seventh features both as a chord (bar 1) and as a melodic interval ...
For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used.