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Kiros was a prolific songwriter and singer. He popularized Tigrigna songs through his albums to the non-Tigrinya speaking Ethiopians. [5] Before joining Ras Theatre in 1975E.C (circa 1982-1983) where he published his first album, Kiros had worked as assistant trainer of Tigray Musical Troupe (ትግራይ ኪነት). [1]
Eyasu Berhe Asemahegne (Tigrinya: ኢያሱ በርሀ አሰማኅኝ; 11 June 1956 – 18 January 2010) was an Ethiopian singer, writer, producer and poet who was one of the most popular and influential Tigrigna musical artists of the 20th century.
Dawit lost his parents at a young age and he sold cigarettes, gum and other small goods on the streets to get his daily bread. Nega, who said that he had developed a deep passion for music since he was a child, at around the age of 15, with the aim of realizing his musical interests and dreams, asked to join the circus and music group "Circus Tigray."
During the mid-1970s, Mengisteab was the only Eritrean artist broadcast on Ethiopian radio; his krar music and usage of the Tigrinya language contributed to his popularity. [2] While living in Addis Ababa, Mengisteab and his wife ran a music shop. He formed his own group in Addis Ababa called Megaleh Guayla (Echo of the Dance). [1]
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
The result is an album that has been referred to as a fusion between traditional Ethiopian melodies and "blessed-out" electro-jazz. [10] Several have described the music as psychedelic, with the Washington City Paper calling the album a "thoroughly psychedelic interpretation of traditional acoustic Ethiopian music."
The masenqo (Amharic: ማሲንቆ; Tigrinya: ጭራ-ዋጣ (ዋጣ), also known as masinko or mesenko [1], is a single-stringed bowed lute commonly found in the musical traditions of Eritrea and Ethiopia. [2] As with the krar, this instrument is used by Ethiopian minstrels called azmaris ("singer" in Amharic) . [3]
Hailu Mergia was born in 1946 in the Shewa Province of the Ethiopian Empire and moved to Addis Ababa at age 10. [2] He grew up on traditional Oromo, Amhara and Tigrinya songbook melodies, and taught himself the accordion at age 14. [3] In 1952, when he was 14, he dropped out of high school and joined the army music department to support his family.
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