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The song was released in Europe in 1985 in its original, German-language version. For the international markets (United States, UK, Japan, etc.), several different single and extended mixes were produced by Rob Bolland; none of them were solely an English-language version, but the international single versions reduced the German lyrics.
Wolfgang Amadeus Mozart The song's lyrics repeatedly invoke the help of Mozart in regaining the singer's lost love. In the refrain, the singer expresses her wish to have the "magic flute's magic" ("trollflöjtens magi"), a reference to Mozart's opera The Magic Flute (The opera's title in Swedish is Trollflöjten .)
"Euro Neuro" is a song by Montenegrin singer Rambo Amadeus. The song was chosen to represent Montenegro in the Eurovision Song Contest 2012; it was the first song performed at the contest in the first semi-final and failed to advance to the final. "Euro Neuro" is primarily sung in English, with some phrases in Montenegrin and German.
The choir then adopts the dotted rhythm of the orchestra, forming what Wolff calls baroque music's form of "topos of the homage to the sovereign", [2] or, more simply put, that this musical style is a standard form of salute to royalty, or, in this case, divinity. This movement consists of only 22 measures, but this short stretch is rich in ...
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song " Ah! vous dirai-je, maman ".
Abendempfindung an Laura", K. 523, is a song by Wolfgang Amadeus Mozart dated June 24, 1787, in Vienna, written at the time of the opera Don Giovanni and Eine kleine Nachtmusik. Text [ edit ]
Goethe wrote the poem in 1773 or early 1774. It was first published [citation needed] in March 1775 in his first Singspiel Erwin und Elmire which was first set to music in 1775 by the German composer Johann André (a revival in 1776 used music by Anna Amalia of Brunswick-Wolfenbüttel and by Carl David Stegmann, and another 1785 had music by Ernst Wilhelm Wolf and Karl Christian Agthe).
The song was a response to the war against Turkey that had been launched by the Austrian emperor (and Mozart's patron) Joseph II; said war initially gave rise to a highly patriotic public response, though later on it proved a fiasco for Austria (negligible territorial gains, severe economic stress, and the loss of political freedom).