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"Wait till You See Her" (or, optionally, "Wait till You See Him") is a popular song. The music was written by Richard Rodgers, the lyrics by Lorenz Hart. The song was published in 1942. It was introduced in the musical play By Jupiter (1942), where it was performed by Ronald Graham. [1] Since then, the song has been recorded by many artists. [2]
"You for Me" – 2:13 "Now at Last" (Haymes) – 3:20 "I Hear Music" (Burton Lane, Frank Loesser) – 2:05 "Wait Till You See Her" (Rodgers, Hart) – 3:19 "I Won't Dance" (Dorothy Fields, Hammerstein, Otto Harbach, Jerome Kern, Jimmy McHugh) – 2:44 "A Fine Spring Morning" (Haymes) – 3:04; CD reissue bonus tracks not included on the ...
The AllMusic review by Michael G. Nastos awarded the album 3½ stars, stating, "John Abercrombie's longstanding partnership with Mark Feldman has yielded several albums of exquisite music, and Wait Till You See Her is no different. The mood is naturally restrained, contemplative, and introspective as you would expect, while there's a common ...
Duet is a collaborative album by Doris Day and the André Previn trio, with songs arranged by Previn. The album was issued by Columbia Records (8552) in both monaural (catalog number CL-1752) and stereophonic (catalog number CS-8552) versions on February 22, 1962.
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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Hoda Kotb is taking inspiration from another famous duo for her Macy’s Thanksgiving Day Parade shout-out to Jenna Bush Hager. “Last year, Hoda and I came up with this secret symbol, which was ...
Their songs have long been favorites of cabaret singers and jazz artists. Ella Fitzgerald recorded Ella Fitzgerald Sings the Rodgers & Hart Songbook and Andrea Marcovicci based one of her cabaret acts entirely on Rodgers and Hart songs. [8] In their era musicals were revue-like and librettos were little more than excuses for comic turns and ...