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Playing the dabakan as part of the kulintang ensemble. The dabakan could be used in other types of playing other than the ensemble. The dabakan could be used as the accompaniment for the kutiyapi, a type of Philippine boat-lute. [5] The dabakan plays a major role in a type of playing known as Kasorondayong.
Agung a tamlang – bamboo (slit drum); Agung – large gong suspended from an ornate frame; Bungkaka – bamboo buzzer; Gandingan – set of four large hanging knobbed gongs; Kagul – scraper
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
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Traditionally among the Maguindanao, the main function of the gandingan was its use as a secondary melodic instrument after the kulintang in the kulintang ensemble. In olden style of play, strictly done by women, the patterns used function to feature/highlight/reinforce the rhythmic modes already established by the singular babendil and dabakan.
The origin of the term Darbuka lies in the rural Egyptian Arabic slang word that changed "darb" meaning "to strike" into "darabuka". [6] Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE.
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The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India.One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple.