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An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.
"Slowly but steadily." Comes before other terms; e.g. poco a poco crescendo ("increasing little by little") ma non tanto: but not so much: Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much: Comes after other terms; e.g. allegro ma non troppo ("not too joyful") Meno: less
These categories are not exhaustive. A music platform, Gracenote, listed more than 2000 music genres (included by those created by ordinary music lovers, who are not involved within the music industry, these being said to be part of a 'folksonomy', i.e. a taxonomy created by non-experts).
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano). [1] It is not unusual for it to be followed by a crescendo, a gradual increase in ...
Crossword-like puzzles, for example Double Diamond Puzzles, appeared in the magazine St. Nicholas, published since 1873. [31] Another crossword puzzle appeared on September 14, 1890, in the Italian magazine Il Secolo Illustrato della Domenica. It was designed by Giuseppe Airoldi and titled "Per passare il tempo" ("To pass the time"). Airoldi's ...
[2] [3] In the second half of the 19th century, German music (starting with Haydn's later works) began replacing the vertical stroke with the regular accent mark when the notes were to be emphasized but not abbreviated, and French music began replacing the vertical stroke with the staccato dot when the notes were to be both emphasized and ...
The earliest type of automatic crescendo device was the Rollschweller (German for "roll-sweller") or Walze (German for "roller"), seen in large Romantic music era organs of the nineteenth century, almost exclusively in Germany. It consists of a wheel and axle, which would be horizontally mounted directly above the pedalboard. [3]