Search results
Results from the WOW.Com Content Network
Frances Litman of the Times Colonist panned the album, apologizing to Skinny Puppy fans before saying "how this noise can be classified as music is beyond me". [ 26 ] In 1987, Melody Maker named the album the 11th best album of the year, describing the album as a "desolate, crackling chunk of rust encrusted machinery tacked with bolts ...
Ogre and Key reunited in 2000 and a year later released a live album documenting Skinny Puppy's revival. [22] The band returned to the studio and released The Greater Wrong of the Right in 2004, Mythmaker in 2007, HanDover in 2011, and Weapon in 2013.
Mythmaker marks the third occasion on which a Skinny Puppy album cover was created by an artist other than long-time collaborator Steven R. Gilmore, though he continues to do the sleeve design and layout for the band. [3] The cover uses a painting by Manuel Ocampo entitled "Why I Hate Europeans", which had been altered for the cover. [3]
The Greater Wrong of the Right is the ninth studio album by Canadian electro-industrial band Skinny Puppy, released by SPV on May 25, 2004. It is their first full-length record since 1996's The Process .
Skinny Puppy was a Canadian electro-industrial band formed in Vancouver in 1982. The group was among the founders of the industrial rock and electro-industrial genres. Initially envisioned as an experimental side-project by cEvin Key (Kevin Crompton) while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre (Kevin ...
Too Dark Park is the sixth studio album by the industrial music group Skinny Puppy. [2] The album cover features the debut appearance of the band's "SP" logo. The cover art was created by Vancouver based artist Jim Cummins. [3] The artwork for this album and its associated singles was inspired by cosmic horror stories such as the Cthulhu Mythos ...
Ain't it Dead Yet? is a recording of Canadian electronic group Skinny Puppy's performance at the Toronto Concert Hall on May 31, 1987, during their Cleanse Fold and Manipulate Tour. It was released as an album in 1989. [2] The film was showcased at the South by Southwest festival on March 18, 1989. [3]
The track listing in the liner notes is shown with the songs from Remission on one page and those from Bites on the opposite page, neither of which are numbered.; The cover art for both albums is displayed above their respective track listings, but with tint errors; the Remission cover appears as black and white and the smaller fossil picture on the Bites cover appears as bright yellow.