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Deliver the poor and needy: rid them out of the hand of the wicked. They know not, neither will they understand; they walk on in darkness: all the foundations of the earth are out of course. I have said, Ye are gods; and all of you are children of the most High. But ye shall die like men, and fall like one of the princes.
In the King James Version of the Bible the text reads: And he saith unto them, Why are ye fearful, O ye of little faith? Then he arose, and rebuked the winds and the sea; and there was a great calm. The New International Version translates the passage as: He replied, "You of little faith, why are you so afraid?"
Also during the French Wars of Religion, the Catholic poet Jean de La Ceppède began using the sonnet, the favored poetic form of the Renaissance for expressing romantic love, to relate the Passion and Resurrection of Jesus Christ and for using the gods and demigods of Greek and Roman mythology, similarly to The Inklings, to point out the ...
The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In Genesis 9:25–27 and elsewhere the form lamo occurs. But this form, which represents partly lahem and partly lo, has many counterparts in Hebrew grammar, as, for example, kemo instead of ke-; [2] or -emo = "them"; [3] or -emo = "their"; [4] or elemo = "to them" [5] —forms found in ...
Media vita in morte sumus (Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". [1] The most accepted source is a New Year's Eve religious service in the 1300s. [1]
Hebrew Bible text of Deuteronomy 32:1–4 as written in a Jewish Sefer Torah.. According to verses 16–18 of Deuteronomy 31, [5] YHVH met with Moses and his nominated successor Joshua at the "tabernacle of meeting" and told them that after Moses' death, the people of Israel would renege on the covenant that YHVH had made with them, and worship the gods of the lands they were occupying.
Yet it is rightly called the death of the soul, because it does not live of God; and the death of the body, because though man does not cease to feel, yet because this his feeling has neither pleasure, nor health, but is a pain and a punishment, it is better named death than life." [2]
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th-century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to prove such a claim (Rumble 385).