Search results
Results from the WOW.Com Content Network
Stephen Thomas Erlewine of AllMusic said that "serious fans will want something more extensive" and that "neophytes would be best served by more well-chosen collections". [1] Sputnikmusic user TwistandShout gave the album a 3.5, stating in the review summary that it was "A good album, good if you're trying to get into the Who."
Who is the twelfth studio album by the English rock band The Who, released on 6 December 2019. [4] The band's first new studio album in thirteen years, and the second overall comprising the duo of vocalist Roger Daltrey and instrumentalist Pete Townshend, it comprises ballads, rock music, electronic experimentation and "classic Who-ish" songs, according to Townshend.
The following is a list of albums released by defunct record label Scotti Brothers Records and its subsidiary labels Rock 'n Roll Records, and Street Life Records. 1970s [ edit ]
Forgotten Songs and Unsung Heroes is the first solo album by German-Canadian musician John Kay. [3] [4] It was released on Dunhill Records in 1972. [5] [6] Kay was well known as the lead singer of the band Steppenwolf. His first solo album contained a mixture of rock songs and country songs, including a number of covers.
Forgotten Toys is the debut studio album by David Paich, keyboardist/vocalist of the American rock band Toto. In 2022, Paich announced his debut solo album and it was released by the Players Club (Mascot Label Group) on August 19, 2022. [1] On June 9, 2022, he released the first single titled "Spirit of the Moonrise". [2]
You know the sound: DJ Muggs drops a beat that seems to contain both the deepest bass ever heard and piercing sirens, B-Real’s nasal voice cuts through the track, and Sen Dog bellows hooks in ...
Vinyl is the fourth album by alternative rock group Dramarama, released in 1991. [ 4 ] [ 1 ] It is a celebration of classic rock with Mick Taylor, formerly of The Rolling Stones, playing guitar on all tracks, including, ironically, a Stones song.
AllMusic has retrospectively been generally favourable towards the album, stating that the band "blend socially conscious lyrics of life under Thatcher with smooth, slickly programmed pop-soul arrangements" and concluding that the record was "a solid debut with very few filler tracks".