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Mortal later experimented with a live band, [3] and a grunge sound on 1994's Wake, [8] as well as with a dance-based meditational sound on their follow-up, Pura. [9] During this time, the band became mired in legal issues involving their label, leading to on-again, off-again attempts to retire the name Mortal.
It should only contain pages that are Mortal (band) albums or lists of Mortal (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Mortal (band) albums in general should be placed in relevant topic categories .
Fathom is the second album by Christian dance-rock band Mortal, and is generally considered the band's best album. [1] The band produced the album along with Terry Scott Taylor of Daniel Amos. [1] It peaked at No. 32 on the Billboard Top Contemporary Christian chart. [3]
Lusis is the debut album by Christian industrial band Mortal.Though not the first Christian industrial music album, it helped to popularize the genre. [2] Contemporary Christian music single "Mytho X" became a hit on the Christian metal charts, and Mortal was named the best new band 1992 in a CCM Magazine readers' poll. [4]
Mortal (band), a Christian industrial band; The Mortal, a Japanese band led by Atsushi Sakurai; Mortal, a science fiction fantasy novel by Ted Dekker and Tosca Lee; Mortals, a 2003 novel by Norman Rush; Mortal, a 2020 adventure film "Mortal" , an episode of the television series Smallville; Mortal (gamer), an Indian YouTuber and esports player
Mortal Presents: Pura is the fourth full-length studio album by Christian dance band Mortal. [2] It is their final album with Intense/Frontline Records. Track listing
Nguồn - possibly Mường group, officially classified as a Việt (Kinh) group by the government, Nguồn themselves identify with Việt ethnicity; their language is a member of the Viet–Muong branch of the Vietic sub-family. Sui (Người Thủy) - officially classified as Pa Then people.
Wake is the third full-length studio album by Christian hard rock band Mortal. For this album, the band moved away from industrial and embraced a more alternative rock-based sound. The album reached No. 21 on the Billboard Top Contemporary Christian chart. [3]